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・ Boys Boys Boys
・ Boys Brigade (band)
・ Boys Choir of Harlem
・ Boys club
・ Boys Club (band)
・ Boys Do Cry
・ Boys Do Fall in Love
・ Boys Don't Cry
・ Boys Don't Cry (band)
・ Boys Don't Cry (film)
・ Boys Don't Cry (Moulin Rouge song)
・ Boys Don't Cry (Rumer album)
・ Boys Don't Cry (The Cure album)
・ Boys Don't Cry (The Cure song)
・ Boys Esté
Boys for Pele
・ Boys from the Blackstuff
・ Boys from the Bush
・ Boys from the Streets
・ Boys High
・ Boys High School
・ Boys High School (Brooklyn)
・ Boys Hope Girls Hope
・ Boys II Men (album)
・ Boys in a Band
・ Boys in Brown
・ Boys in Heat
・ Boys in the Band (Baldry album)
・ Boys in the Band (The Libertines)
・ Boys in the Hoods


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Boys for Pele : ウィキペディア英語版
Boys for Pele

''Boys for Pele'' is the third studio album by American singer and songwriter Tori Amos. Preceded by the first single, "Caught a Lite Sneeze", by three weeks, the album was released on January 22, 1996, in the United Kingdom, on January 23 in the United States, and on January 29 in Australia. Despite the album being Amos’s least accessible radio material to date,〔(【引用サイトリンク】 publisher = Rollingstone )〕 ''Boys for Pele'' debuted at # 2 on both the ''Billboard'' 200 and the ''UK Top 40'',〔(【引用サイトリンク】title=everyhit.com )〕 making it her biggest simultaneous transatlantic debut, her first ''Billboard'' top 10 debut, and the highest-charting US debut of her career to date.〔(【引用サイトリンク】 publisher = Billboard )
''Boys for Pele'' was recorded in rural Ireland and Louisiana and features 18 songs that incorporate harpsichord, clavichord, harmonium, gospel choirs, brass bands and full orchestras. Amos wrote all of the tracks, and for the first time, she served as the producer for her own album. For Amos, the album was a step into a different direction, in terms of singing, songwriting, and recording, and is experimental in comparison to her previous work.
==Origin==
During the recording of her previous album, ''Under the Pink'' (1994), Amos's longtime professional and romantic relationship with Eric Rosse, who co-produced a considerable amount of her pre-''Pele'' work, disintegrated. That loss, combined with a few subsequent encounters with men during the ''Under the Pink'' promotional tour, forced Amos to re-evaluate her relationship with men and masculinity.〔 Amos explained, "In my relationships with men, I was always musician enough, but not woman enough, I always met men in my life as a musician, and there would be magic, adoration. But then it would wear off. All of us want to be adored, even for five minutes a day, and nothing these men gave me was ever enough."
Songs began appearing in fragments, often while on stage during the ''Under the Pink'' tour.〔 After a trip to Hawaii during which Amos learned about legendary volcano goddess Pele, the album began taking shape; Amos conceived of the songs as representing stealing fire from the men in her life as well as a journey to finding her own fire as a woman. From there, Amos explained, the songs just came. "Sometimes the fury of it would make me step back, I began to live these songs as we separated. The vampire in me came out. You're an emotional vampire, with blood in the corner of your mouth, and you put on matching lipstick so no one knows."〔
Along this journey, Amos, who has openly discussed her experiences with psychedelic drugs, particularly in relation to ''Boys for Pele'', did ayahuasca ceremonies with a South American shaman and experienced meeting the devil, leading her to write the track "Father Lucifer."
The album would ultimately consist of 15 full-length songs and four short "interludes". As Amos was finding "parts and pieces of myself that I had never claimed" on this journey, the 14 primary songs represent the number of body parts of the Egyptian god Osiris that his wife, the goddess Isis, had to find to put his body back together in Egyptian mythology. The arrangement of the songs on the album reflects the progression Amos intended to achieve on the double vinyl LP of the album; each of the four sides of the album on vinyl would open with an interlude track that leads into the rest of the three or four songs on each side. The vinyl release is the only version of the album in which the interludes ("Beauty Queen," "Mr. Zebra," "Way Down," and "Agent Orange") are not numbered.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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